| LEAH GELPE MEDIA DESIGN contact: leahgelpe@rocketmail.com | ||||||
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| VIDEO / PROJECTION DESIGN FOR PERFORMANCE | ||||||
| PRODUCTION | THEATRE | DIRECTOR | YEAR | |||
| CONCERNING STRANGE DEVICES FROM THE DISTANT WEST by Naomi Lizuka | Berkeley Repertory Theatre | Les Waters | 2010 | |||
| THE TURN OF THE SCREW by Benjamin Britten | Boston Lyric Opera | Sam Helfrich | 2010 | |||
| THE THREEPENNY OPERA by Bertold Brecht & Kurt Weill | Julliard | Sam Gold | 2009 | |||
| REBORNING by Zayd Dohrn | SPF at the Public Theater | Kip Fagan | 2009 | |||
| TELETHON by Kriston Newbom | Clubbed Thumb | Ken Rus Schmoll | 2009 | |||
| SIXTY MILES TO SILVER LAKE by Dan LeFranc | Page 73 Productions & Soho Repertory, NYC | Anne Kauffman | 2009 | |||
| PETER AND THE WOLF | L.A. Philharmic at the Disney Hall, L.A. | Doug Fitch | 2008 | |||
| JUDY GARLAND IN CONCERT | Boston Symphony Hall and touring | 2008 | ||||
| PALACE OF THE END by Judith Thompson | Peter Jay Sharp Theatre at Playwrights Horizons | Daniella Topol | 2008 | |||
| A BIRD IN YOUR EAR by David Bruce | Fisher Center for the Performing Arts at Bard | Doug Fitch | 2008 | |||
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Under the Radar, Public Theater
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Jay Scheib
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2008
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| THE OHIO STATE MURDERS by Adrienne Kennedy | Theatre for a New Audience, The Duke, NYC | Evan Yionoulis | 2007 | |||
| THE AFRICAN CHILDREN'S CHOIR TOUR 2007-2008 | Various | David Travis | 2007-2008 | |||
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Miller Theatre, NYC
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Alison Chase
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2007
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| WALMARTOPIA | Minetta Lane Theater, NYC | Daniel Goldstein | 2007 | |||
| SPALDING GRAY: STORIES LEFT TO TELL | Minetta Lane Theater, NYC | Lucy Sexton | 2007 | |||
| BRITANNICUS by Jean Racine | American Repertory Theatre, Cambridge | Robert Woodruff | 2007 | |||
| THE PHYSICIAN OF HIS HONOR by Pedro Calderón de la Barca | Brandeis Theater Company, Waltham | Eric Hill & Monica Vinao | 2006 | |||
| INDIAN BLOOD by A.R. Gurney | Primary Stages, NYC | Mark Lamos | 2006 | |||
| FIZZ by Rogelio Martinez | Ohio Theatre, NYC | Sam Gold | 2006 | |||
| ISLAND OF SLAVES by Pierre Marivaux | American Repertory Theatre, Cambridge | Robert Woodruff | 2006 | |||
| TRACE by Jeremy Xido and Claudia Heu | The Austrian Cultural Forum (NY), WUK (Vienna) and Arge Theater (Salzburg) | Jeremy Xido & Claudia Heu | 2004-2005 | |||
| THE POWER OF DARKNESS by Leo Tolstoy | Trafo House of Contemporary Arts (Budapest) | Jay Scheib | 2005 | |||
| THE MEDEA based on texts by Euripides and Heiner Müller | Lamama, ETC., Sabancy University (Istanbul) and Sabancy International Theater Festival at Adana State Theatre | Jay Scheib | 2005 | |||
| IN THIS IS THE END OF SLEEPING based on Anton Chekhov's Platonov | Chekhov Now Festival, Connoly Theater, NYC | Jay Scheib | 2004 | |||
| THE VOMIT TALK OF GHOSTS by Kevin Oakes | The Flea Theater, NYC | Jay Scheib | 2004 | |||
| LORENZACCIO by Alfred de Musset | Loeb Drama Center, Cambridge | Jay Scheib | 2003 | |||
| WEST PIER by Bernard-Marie Koltes | Ohio Theatre, NYC | Jay Scheib | 2003 | |||
| SIE GESTATTEN! (Permit Me) texts by Lothar Trolle | 3. Stock, Volksbühne am Rosa-Luxembourg Platz, Berlin, Germany | Jay Scheib & Adeline Rosenstein | 2002 | |||
| THE WAR PLAYS by Edward Bond | Mozarteum, Salzburg, Austria | Jay Scheib | 2002 | |||
| UVEG ES MáK (Glass Mohn) after texts by Tennessee Williams, Walter Benjamin and Paul Celan | Theater Mu, Budapest, Hungary | Jay Scheib | 2001-2002 | |||
| HERAKLES/HERAKLES 5 by Euripides & Heiner Müller | Chashama, NYC | Jay Scheib | 2001 | |||
| GODARD (DISTANT & RIGHT) based on the films of Jean-Luc Godard | OhioTheatre and Festival des Amandiers, Theatre des Amandiers, Nanterre (Paris), 2000 Winner Grand Prix, Festival des Amandiers. | Robert Woodruff | 2000 | |||
| FALLING AND WAVING by Ron Jones & David Lang | Arts at St. Ann’s, Brooklyn | Jay Scheib | 1999 | |||
| DRUMS IN THE NIGHT by Bertolt Brecht | Schapiro Theater, NYC | Jay Scheib | 1999 | |||
| GEORGE BATAILLE'S BATHROBE by Richard Foreman | Todo Con Nada, NYC | Yelena Gluzman | 1998 | |||
| MISS JULIE | Todo Con Nada, NYC | Jay Scheib | 1998 | |||
| THE BATTLE/MOMMSEN'S BLOCK by Heiner Müller | Arcade Studio Theatre, MPLS | Jay Scheib | 1997 | |||
ASSISTANT VIDEO/PROJECTION DESIGN FOR PERFORMANCE |
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| BROADWAY BARES XVIII (projection designers: Michael Clark & Brian Beasley | Roseland Ballroom | Denis Jones | 2008 | |||
| BROADWAY BARES XVII (projection designers: Michael Clark & Brian Beasley | Roseland Ballroom | Denis Jones | 2007 | |||
| THE 60s PROJECT (projection designer: Wendall Harrington) | Goodspeed Musicals |
Richard Maltby | 2006 | |||
| BURLEIGH GRIMES ( projection designer: Michael Clark) | New World Stages | David Warren | 2006 | |||
| ORPHEUS X (video artist: Denise Marika) | American Repertory Theatre | Robert Woodruff | 2006 | |||
| THE THREEPENNY OPERA by Bertold Brecht & Kurt Weill | Julliard | Sam Gold | 2009 | |||
| WHAT ONCE WE FELT by Ann Marie Healy | LCT3 at The Duke | Ken Rus Schmoll | 2009 | |||
| CIRCLE MIRROR TRANSFORMATION by Annie Baker | Playwrights Horizons | Sam Gold | 2009 | |||
| TELETHON by Kriston Newbom | Clubbed Thumb | Ken Rus Schmoll | 2009 | |||
| SIXTY MILES TO SILVER LAKE by Dan LeFranc | Page 73 Productions & Soho Repertory, NYC | Anne Kauffman | 2009 | |||
| GOD'S EAR by Jenny Schwartz | The Vineyard Theatre | Anne Kauffman | 2008 | |||
| HELLO FAILURE by Kristen Kosmas | PS 122 | Ken Rus Schmoll | 2008 | |||
| CIPHER by Cory Hinkle | Summer Play Festival, Theatre Row | Kip Fagan | 2007 | |||
| AMAZONS AND THEIR MEN by Jordan Harrison | Clubbed Thumb | Ken Rus Schmoll | 2007 | |||
| GOD'S EAR by Jenny Schwartz | New Georges / CSC | Anne Kauffman | 2007 | |||
| THIS PLACE IS A DESERT | Institute for Contemporary Arts, Boston | Jay Scheib | 2007 | |||
| 365 Days/365 Plays-week 10 by Suzan-Lori Parks | Clubbed Thumb | Ken Rus Schmoll | 2007 | |||
| TWO SEPTEMBER by Mac Wellman | The Flea | Loy Arcenas | 2006 | |||
| LE GRAND ENFANT by April Sweeney | Colgate University | April Sweeney | 2006 | |||
| FIZZ by Rogelio Martinez | Ohio Theatre | Sam Gold | 2006 | |||
| MILLICENT SCOWLWORTHY by Rob Handel | Summer Play Festival, Theatre Row | Ken Rus Schmoll | 2006 | |||
| MARK SMITH by Kate Ryan | Walkerspace, produced by 13P | Ken Rus Schmoll | 2006 | |||
| TRACE by Jeremy Xido & Claudia Heu | The Austrian Cultural Forum (NY), WUK (Vienna) and Arge Theater (Salzburg) | Jeremy Xido & Claudia Heu | 2004-2005 | |||
| THE INTERNATIONALIST by Anne Washburn | Massachusetts Institute of Technology in Cambridge | Janet Sonenberg | 2005 | |||
| THE MEDEA based on texts by Euripides and Heiner Müller | Lamama, ETC., Sabancy University (Istanbul) and Sabancy International Theater Festival at Adana State Theatre | Jay Scheib | 2005 | |||
| IN THIS IS THE END OF SLEEPING based on Anton Chekhov's Platonov | Chekhov Now Festival, Connoly Theater | Jay Scheib | 2004 | |||
| THE VOMIT TALK OF GHOSTS by Kevin Oakes | Downstairs at The Flea | Jay Scheib | 2004 | |||
| LORENZACCIO by Alfred de Musset | Loeb Drama Center | Jay Scheib | 2003 | |||
| THE BLACK MONK by David Rabe (based on the story by Anton Chekhov) | Yale Repertory Theatre | Daniel Fish | 2003 | |||
| WEST PIER by Bernard-Marie Koltes | Ohio Theatre | Jay Scheib | 2003 | |||
| THE WAR PLAYS by Edward Bond | Mozarteum (Salzburg) | Jay Scheib | 2002 | |||
| THE LADY FROM THE SEA by Henrik Ibsen | Intiman Theatre | Kate Whoriskey | 2001 | |||
| iN THE SOLITUDE OF THE COTTON FIELDS by Bernard-Marie Koltes | Mozarteum (Salzburg) | Jay Scheib | 2001 | |||
| SAVED by Edward Bond | Theatre for A New Audience | Robert Woodruff | 2001 | |||
| HERAKLES/HERAKLES 5 by Euripides & Heiner Müller | Chashama | Jay Scheib | 2001 | |||
| GODARD (DISTANT & RIGHT) based on the films of Jean-Luc Godard | OhioTheatre and Festival des Amandiers, Theatre des Amandiers, Nanterre (Paris), 2000 Winner Grand Prix, Festival des Amandiers. | Robert Woodruff | 2000 | |||
| POWER OF THE DOG by Howard Barker | Horace Mann Theatre, Columbia University | Jay Scheib | 1999 | |||
| TALK TO ME LIKE THE RAIN by Tennessee Willams | Schapiro Theatre, Columbia University, New York 1999 | Jay Scheib | ||||
| WOYZECK by Büchner | Horace Mann Theatre, Columbia University | Tim Holst | 1999 | |||
| DRUMS IN THE NIGHT by Bertolt Brecht | Schapiro Theatre, Columbia University | Jay Scheib | 1999 | |||
| NOT SIGHTLY by Gertrude Stein | Composition for Radio, CD Release, Voys Editions. | 1999 | ||||
| MISS JULIE | Todo Con Nada | Jay Scheib | 1998 | |||
| D-E-S-I-P-O-I-N-T, digital video short, 2005. 1st prize, Thumbdance Film Festival | ||||||
| ALSO LIES, digital video short. 2003. Screened at Loews 34th.St., NY, Anthology Film Archives and Boechum International Video Festival | ||||||
| THE MAN WHO KILLED AND ATE THE THING HE LOVED, Assistant director for director Michael R. Stone, 16mm short produced in Bucharest, Romania. 2002. Screened at Shockfest Film Festival, Anthology Film Archives, Queens Museum of Art | ||||||
| FERNSEHEN, narrative video short. 2002. Based on the work by East German writer Lothar Trolle. Produced for BAT Studio, Berlin and Volksbühne-am-rosa-luxemburg-platz, Berlin | ||||||
| MOUTH MOVIE, video projection and multi-channel sound installation, 2001. Shown at HERE Gallery, NY | ||||||
| JULIA, OR ALONE SHE CRIES, narrative video short. 2001. Screened at Anthology Film Archives | ||||||
| GLASS TEETH, 16mm narrative short. 1998. Screened at the Walker Art Center, Mpls. & Oak St. Cinema | ||||||
| Recipient, NEA/TCG Career Development Program for Designers 2005-2007 | ||||||
| MFA, Columbia University School of the Arts Film Division. Recipient School Research Assistantship, Smith Scholarship, Birnbaum Scholarship, William Shelley Grant and Finishing Funds | ||||||
| Berlinale Talent Campus, by invitation, Berlin Film Festival | ||||||
| AB, Summa Cum Laude, Barnard College of Columbia University. Majored in East Asian and Middle Eastern Cultures. Member phi beta kappa. Departmental honors at Barnard College and Columbia College | ||||||
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TEACHING
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| Guest lecturer at Yale School of Drama, Massachusetts Institute of Technology and Brandeis University | ||||||